Foreword: A Gesture
Tavia Nyong’o
Opening Thoughts and Introductions
Katerina Paramana and Anita Gonzalez
ProvocationsCHAPTER 1:Performance, Dance and Political Economy: A Provocation
Katerina Paramana
CHAPTER 2:Recognizing Race and Class in Dance: Gonzalez Response to Paramana
Anita Gonzalez
Dialogue 1: Control of BodiesCHAPTER 3: A World Beyond the Captured Body
Nina Power
CHAPTER 4: Choreographing Rage
Marc Arthur
Dialogue 2: Commodification of BodiesCHAPTER 5: Honesty and the Body
Nina Power
CHAPTER 6: Feeling my way through several beginnings
Alexandrina Hemsley
Dialogue 3: Rest, Productivity, and SurvivalCHAPTER 7: Sleepwalking: Toward A New Corporeality of Dance
Marc Arthur
CHAPTER 8: It Only Happens In Daylight
Jamila Johnson-Small
Dialogue 4: Communal DisruptionsCHAPTER 9: Community, Coloniality and Convivencia in the Festival de Danza de Santa María la Antigua del Darién, Colombia
Melissa Blanco Borelli
CHAPTER 10:Changing Our Bodies’ Relationships to Reality
Usva Seregina
Dialogue 5: Anarchic Inversions of Neoliberal EconomiesCHAPTER 11: The “End,” “Lived Time” or How to Say Goodbye to Your World, A World.
Melissa Blanco-Borelli
CHAPTER 12: Dance, Anarchism, Mutual Aid
Elena Loizidou
Dialogue 6: Escaping Capitalism?CHAPTER 13: Breaking the Illusion of Reality: Exploring Reiterations of the Performance of Consumption
Usva Seregina
CHAPTER 14: From Exchange to Freedom and back. No guarantees.
Elena Loizidou
Group ConversationCHAPTER 15: In Conversation – Bodies at the End of the World: Performance, Dance and Political Economy
Katerina Paramana, Anita Gonzalez, Nina Power, Marc Arthur, Melissa Blanco Borelli, Usva Seregina, Jamila Johnson-Small, Elena Loizidou, and Alexandrina Hemsley (in the order of speaking)
References
Index