Chapter 1. A Critical Conceptualization from Hybridism
Chapter 2. From Proto-Performances to Performance Art
Chapter 3. Performance: A Disciplinarily (IN)Operative Concept
Chapter 4. From Hybridity to Performance Meta-Hybridism
Chapter 5. Conclusion: Art of Performance as the Art of the (IN)Communicability of History
Bibliography
Index
Cláudia Madeira is an assistant professor and researcher at Instituto de Comunicação da NOVA (NOVA FCSH). She also collaborates at the CET/FLUL as a researcher in the Theatre and Image Research Group.