ISBN-13: 9783718658473 / Angielski / Miękka / 1996 / 372 str.
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Takes a wide-ranging look at the new developments in music-making and musical aesthetics made possible by the advent of the computer and digital information processing.
Introduction to the Series, Editor's Introduction, Preface, Acknowledgements, PRELUDE, Chapter 1: What is Sonic Art?, PART 1: THE SONIC CONTINUUM, Chapter 2: Beyond the pitch/ duration paradigm, Chapter 3: Pythagoras, Fourier, Helmholtz: towards a phenomenology of sound, Chapter 4: The nature of sonic space, Chapter 5: Sound structures in the continuum, Chapter 6: Gesture and counterpoint, PART 2: LANDSCAPE, Chapter 7: Sound landscape, Chapter 8: Sound-image as metaphor: music and myth, Chapter 9: Is there a natural morphology of sounds?, Chapter 10: Spatial motion, PART 3: UTTERANCE, Chapter 11: Utterance, Chapter 12: The human repertoire, Chapter 13: Phonemic objects, Chapter 14: Language stream and paralanguage, Chapter 15: The group, CODA, Chapter 16: Beyond the instrument: sound models, Bibliography, Music Examples, Music References, Index
