Of Reels, Romance and Retakes

ISBN-13: 9781032601083 / Twarda / 2023 / 204 str.

Sanjoy Patnaik

Opis

Of Reels, Romance and Retakes carries the reader on a fascinating journey into the genesis, evolution and reception of Odia cinema.

Recenzje

‘The book is a significant work on Odia cultural identity as mediated by cinema. It sheds substantial light on the role of ‘reels’ as a begetter of ethno-linguistic pride, and, it does so beautifully in the context of Odisha. I am sure the book will attract the attention of cinephiles and scholars in the fi eld of cultural studies in Odisha and beyond.’

- Prashant Nanda, Celebrated Actor-Director-Producer and Member of Parliament

 

‘A pioneering work on sociology of cinema in Odisha, telling the complex story of a unique linguistic and cultural identity in accessible and simple language. An ethno-historical account of aesthetics, technology, conflicts, and struggles narrated within the broad frame of tradition and modernity. It is a must-read for lovers of cinema and scholars of the myriad aspects of Odia cultural history.’

- Dr. Pragati Mohapatra, Associate Professor, Department of History, Indraprastha College, University of Delhi

 

‘In its unique ability to imagine a nation the cultural form of cinema is second to none. Sanjoy Patnaik’s book holds a cinematic mirror up to the kaleidoscope that is Odisha, capturing its diverse artistic and musical traditions in the vibrant colors of its cinema. Passionately and knowledgeably written, the book is a commendable effort to give Odia cinema its due share in the pantheon of Indian cinema.’

- Mahasweta Ray, Acclaimed Actor

 

‘A timely book that depicts the interconnectivity between society, its people and art forms, and, a scholarly exercise analysing socio-cultural processes that influenced film making in Odisha. I extend an appeal to film enthusiasts and lovers to read and preserve this as a memento. The book is an authentic representation of Odia cultural space, cinema in particular.’

- Susant Misra, Eminent Director

Spis treści

Acknowledgments

1 Introduction

2 Birth of a Nation: Growth of Cinema in Odisha

I. A Time of Innocence, A Time of Confi dence

II. Odia Cinema Sprouted under Indigenous Cultural Traditions

III. 27/11, Chandi Ghosh Road, Tollygunje!

IV. Leaders and Pathfinders: Story of Cultural Leadership in Odisha

3 The Wave: The Odia Cinematic Spectrum

I. Regional Cinema Enters a Defi ning Phase

II. Parallel Cinema in Odisha: The Trajectory of Struggle and Growth

III. Middle-of-the-Road Cinema in Odisha

IV. Good Films, Bad Films

4 Social Dilemma: Demographics, Class and Gender

I. Negotiating Language Barriers in Odia Cinema

II. Constructions and Interpretations of Confl ict Narratives

III. The Disengaged Middle Class in Odia Cinema

IV. Liberated within Ethical Boundaries: The Perfect Woman

V. Net Worth of Celluloid Gods in Odia Cinema

5 Field of Dreams: Cinema and Odia Cultural Identity

I. The Magical Melodies of Odia Cinema Super Oldies

II. The “Nua Bous,” the “Strees,” the “Abhinetris,” and the “Priyatamas”

III. Of Cultural Connect and Creative Camaraderie in Odia Cinema Music

IV. The Small Town Big Boys of Odia Cinema

6 The Unforgivable: The Fear and Fall in Odia Cinema

I. Going Down the Hill on a Bicycle

II. A Profession, Not as yet

III. The Political Sociology of National Awards

7 Plans for Tomorrow: The Regional Resurgence

I. Transforming Talent into Capacities

II. Expanding Regional Market: Lessons and Learnings

Bibliography

O autorze

Sanjoy Patnaik, a social development professional, worked extensively on forests and environment issues in India. He studied International Politics in Jawaharlal Nehru University, New Delhi, and also took a course on Film Appreciation in the Film and Television Institute of India, Pune. Sanjoy is a film maker. He scripted and directed the award-winning Odia fi lm Shuka Asuchi (2014), a critique of the contemporary development model. The fi lm depicted the pangs of displacement and the predicament of the rural youth who swing between being indifferent farmers and petty power brokers in the rich mining belts of Odisha. An ardent fi lm enthusiast, Sanjoy continues to write on cinema both in the print and digital space.