'In this smart, thoughtful, and important book … Harriet Phillips offers a welcome and rich expansion of early modern scholarship on nostalgia. As its subtitle suggests, this book challenges us to think critically about how early modern nostalgia could not only or exclusively commodify, but how it enabled collaboration and collective fantasy between writers and their readers and audiences.' Kristine Johanson, Modern Philology
Introduction: the merry worlds of merry England; 1. Merry worlds: Tudor nostalgia; 2. Dreamless art for the people: cheap print and catharsis; 3. Common people: drama and dialogue; 4. Martin and anti-Martin, 1588–90; 5. Merry histories, 1598–99; 6. Shakespeare's Ballads, 1598–1610; 7. The merry worlds of Windsor in 1600; Epilogue.