Nordic Film Cultures and Cinemas of Elsewhere

ISBN-13: 9781474438056 / Angielski / Twarda / 2019 / 416 str.

Anna Westerstahl Stenport; Arne Lunde

Spis treści

Acknowledgments; List of Illustrations and Captions; Contributor Biographies; 01: Introduction: Nordic Film Cultures and Cinemas of Elsewhere, Patrick Ellis, Arne Lunde, and Anna Westerstahl Stenport; PART I: TRACES AND ERASURES; 02: Mapping Cinema’s Ghosts: Reconstructing the Circulation of Nordic Silent Film in Australia, Julie K. Allen; 03: Charlie Chan’s Last Mystery, or the Transcultural Disappearance of Warner Oland, Kim Khavar Fahlstedt; 04: Karin Fock Göring’s Gravestone: Tracing the Legacy of the Swedish First Lady of the Third Reich, Patrick Wen; 05: Mobility and Marginalization: Arne Sucksdorff’s Documentary Authorship in India and Brazil, Emil Stjernholm; 06: “Let’s Get a Swede!” Peter Goldmann, The Beatles, and the Origins of the Music Video, Scott MacKenzie; 07: Out of the Margins of Feminist Filmmaking: Vibeke Løkkeberg and the Film Cultures of 1970s West Berlin, Ingrid S. Holtar; 08: The Gothenburg International Exile Film Festival in Context, Boel Ulfsdotter and Mats Björkin; PART II: INTERMEDIARIES; 09: Opening up the Post-War World in Color: 1950s Geopolitics and Spectacular Nordic Colonialism in the Arctic and in Africa, Anna Westerstahl Stenport; 10: The Diasporic and Polyglot Works of Ingrid Bergman, Scott MacKenzie; 11: “Here is my home”: Voiceover and Foreign-language Versions in Post-war Danish informational film, C. Claire Thomson; 12: A Sámi in Hollywood: Nils Gaup’s Transnational and Generic Negotiations, Gunnar Iversen; 13: “There is no Elsewhere!” Stories of Race, Decolonization, and Global Connectivity in Göran Hugo Olsson’s Documentaries, Lill-Ann Körber; 14: Aki Kaurismäki’s Finno-French Connections and Other Transcultural Elsewheres, Ana Bento Ribeiro; 15: Nordic Noir as a Calling Card: The International Careers of Danish Film and Television Talent in the 2010s, Eva N. Redvall; PART III: CONTACT ZONES; 16: Paris Looks to the North: Swedish Silent Film and the Emergence of Cinephilia, Annie Fee; 17: Celebrated, Contested, Criticized: Anita Ekberg, a Swedish Sex Goddess in Hollywood, Ann-Kristin Wallengren; 18: The Finnish Cinema Colony in North America, 1938?1941, Anneli Lehtisalo; 19: The Transnational Politics of Lars von Trier’s and Thomas Vinterberg’s “Amerika”, Linda Badley; 20: The Globalization of Danish Documentary: Creative Collaboration and Modes of Global Documentaries, Ib Bondebjerg; 21: Elsewheres of Healing: Trans-Indigenous Spaces in Elle-Máijá Apiniskim Tailfeathers’ Bihttoš, Troy Storfjell (Sámi); 22: Denmark beyond Denmark: Soft Power, Talent Development, and Filmmaking in the Middle East, Mette Hjort; PART IV: REVISITATIONS; 23: Cinephiliac and Political Passions of the Parisian 1950s: Dreyer’s Jeanne d’Arc and the Cinéma d’Essai, Casper Tybjerg; 24: I Am Curious (Yellow) as Sex Education in the United States, Saniya Lee Ghanoui; 25: Transnational Cinefeminism of the 1970s and Mai Zetterling’s Documentary Elsewheres, Mariah Larsson; 26: The Serpent’s Egg: Ingmar Bergman’s Exilic Elsewheres in 1970s New German and New Hollywood Cinema, Anna Westerstahl Stenport and Arne Lunde; 27: Bridging Places, Media, and Traditions: Lasse Hallström’s Chronotopes, Lynn R. Wilkinson; 28: Criminal Undertakings: Nicolas Winding Refn, European Film Aesthetics and Hollywood Genre Cinema, Björn Nordfjörd; 29: The Cinematic Kon-Tiki Expeditions: Realism, Spectacle, and the Migration of Nordic Cinema, Benjamin Bigelow