Acknowledgements; List of Images; List of Tables; Introduction: The Cultural Politics of Transnational Filmmaking; Mexico; 1: Alejandro González Iñárritu: Mexican Director Without Borders; 2: From Hollywood and Back: Alfonso Cuarón’s Adventures in Genre; 3: Transnational Political Horror in Cronos (1993), El espinazo del Diablo (The Devil’s Backbone 2001) and El laberinto del fauno (Pan’s Labyrinth 2006); Brazil; 4: Fernando Meirelles as Transnational Auteur; 5: Revolutionary Road Movies: Walter Salles’ Diarios de motocicleta (Motorcycle Diaries, 2004) and On the Road (2012); Argentina; 6: Juan José Campanella: Historical Memory and Accountability in El secreto de sus ojos (The Secret In Their Eyes 2009); Epilogue: Gravity (Alfonso Cuarón 2013), Birdman (Alejandro G. Iñárritu 2014), The Revenant (G. Iñárritu, 2015) and Crimson Peak (Guillermo del Toro 2015); Select Filmography; Bibliography