'What T. R. Johnson has assembled in New Orleans: The Literary History is a tremendous contribution to the city's self-understanding - and to everyone's understanding of the city's impact on broader literary histories. With an embracing, inclusive agility, the book excavates layers of culture and language to deliver a comprehensive, international vision of three hundred years' worth of writing, from the published letters of an Ursuline nun in the 1730s to the sissy bounce music of Big Freedia today. Taken together, these scholars present an argument for how New Orleans's literary history has shaped our sense of the pleasures of cities in general and also of the urban imagination itself as a dynamic, shifting thing, with poetry, fiction, memoir and drama intertwining throughout New Orleans's history like the forces that create its legendary climate of heat, humidity, and storm.' Ed Skoog, author of Run the Red Lights
Preface T. R. Johnson; 1. Swamp City Anthony Wilson; 2. Mixed motives: writing for French audiences from colonial New Orleans Erin Greenwald; 3. 'As I have seen and known it': ex-slave autobiographers and the New Orleans Slave Market Calvin Schermerhorn; 4. What New Orleans Meant to Walt Whitman Ed Folsom; 5. Coloring sex, love, and desire in Creole New Orleans's long nineteenth century Jarrod Hayes; 6. The white Creole tradition: Alfred Mercier, Charles Gayarré, Adrien Rouquette, and Grace King Rien Fertel; 7. The Civil War's literary aftershocks: George Washington Cable Matthew Smith; 8. Illusion and disillusion: the making of Lafcadio Hearn S. Frederick Starr; 9. Local color, social problems, and the living dead in the late nineteenth-century short fiction of Alice Dunbar-Nelson Tara T. Green; 10. Kate Chopin, Edna Pontellier, and the predicament of the intellectual woman in New Orleans Emily Toth; 11. Converging Americas: New Orleans in Spanish-language and Latina/o/x literary culture Kirsten Silva Greusz; 12. A Jazz origin-myth: Bras Coupe in history, folklore, and literature Bryan Wagner; 13. 'Stepping out' of the storyville frame: recent literary representations of the New Orleans red light district Milena Marinkova; 14. Louis Armstrong's autobiographical art Daniel Stein; 15. New Orleans, modernism, and The Double Dealer, 1921–1926 Thomas Bonner; 16. 'Because what else could he have hoped to find in New Orleans, if not the truth': William Faulkner's Absalom, Absalom! Thadious Davis; 17. 'The place I was made for': Tennessee Williams in New Orleans Henry I. Schvey; 18. A Civil Rights era novel of the American Civil War: Robert Penn Warren's Band of Angels William Bedford Clark; 19. How to survive the best environments: narrating Protean place in Walker Percy's The Moviegoer Richmond M. Eustis, Jr; 20. Tom Dent and the development of black literature in New Orleans Kalamu Ya Salaam; 21. The gothic tradition in New Orleans Taylor Hagood; 22. A Flaneur in the French Quarter and beyond: John Kennedy Toole's Confederacy of Dunces Cory MacLauchlin; 23. Literary fiction by New Orleans women, 1961–2003: Shirley Anne Grau, Ellen Gilchrest, Sheila Bosworth, and Valerie Martin Monica Carol Miller; 24. Asian American New Orleans Marguerite Nguyen; 25. New Orleans rap and bounce: recovering and archiving an expressive tradition Holly Hobbs; 26. The literature of Hurricane Katrina Kevin Rabalais; Afterword: swan song? T. R. Johnson; Contributors biographies; Index.