Acknowledgements
List of Contributors
Editor's Introduction by Edith Hall
Part I: Poet
Chapter 1: Harrison as Elegist - Blake Morrison (Goldsmiths University, UK)
Chapter 2: Tony Harrison's Influence - Simon Armitage (Oxford University, UK)
Chapter 3: The Man Who Came to Read the Metre - Lee Hall (Writer of Billy Elliot, Victoria & Abdul)
Chapter 4: Tony Harrison and the Guardian - Claire Armitstead (Culture Editor, The Guardian)
Chapter 5: Metre and Memory (and Mnemosyne) - Sandie Byrne (Oxford University, UK)
Part II: Man of the Theatre
Chapter 6: Nigeria, Mask and Masques - Rachel Bower (Leeds University, UK)
Chapter 7: Harrison's Molière and Racine - Hallie Marshall (University of British Columbia, Canada)
Chapter 8: The Legacy of the Hall/Harrison Oresteia - Fiona Macintosh (Oxford University, UK)
Chapter 9: Gradus ad Parnassum: Trackers and Polygons - Oliver Taplin (Oxford University, UK)
Chapter 10: Harrison's Euripides - Edith Hall (King's College London, UK)
Part III: Translator and Translated
Chapter 11: Lost in the Original: Harrison as Classical Poet - Jo Balmer (The Times and Bloodaxe)
Chapter 12: Harrison, Rimbaud, and the French Radical Tradition - Christine Regan (University of Western Australia, Australia)
Chapter 13: The Translation and Reception of Harrison's Poetry in France - Cécile Marshall (Bordeaux-Montaigne University, France)
Chapter 14: Wine and Poetry: Translating Tony Harrison in Italy - Giovanni Greco (Sapienza University of Rome, Italy)
Part IV: Film Poet
Chapter 15: A Poet Behind the Camera - Peter Symes (BBC and Channel 4)
Chapter 16: Modernism and the 'Double Consciousness' of Myth in Metamorpheus - Antony Rowland (Manchester Metropolitan University, UK)
Chapter 17: The Only Tone for Terror: Tony Harrison and the Gorgon's Gaze - Henry Stead (Open University, UK)
Afterword: A Poem by Sir Richard Eyre 'For Tony at 80'
Notes
Bibliography
Index