New Forms of Self-Narration: Young Women, Life Writing and Human Rights

ISBN-13: 9783030464196 / Angielski / Twarda / 2020 / 151 str.

Ana Bel?n Mart?nez Garc?a

Spis treści

1. Introduction: Life Writing, Human Rights and Young Women.- 2. Malala Yousafzai: Fighting for Girls’ Rights via Collaboration and Co-construction.- 3. Hyeonseo Lee: Seeking Justice for the North Korean People on TED.com.- 4. Yeonmi Park: North Korean Activist and Instagram Celebrity.- 5. Bana Alabed: From Twitter War Child to Peace Icon.- 6. Nujeen Mustafa: Syrian Refugee Defying Labels on TEDx.- 7. Nadia Murad: Yazidi Survivor’s Written vs Audiovisual Testimony.- 8. Conclusion: Victim Girls Becoming Activist Women.

O autorze

Ana Belén Martínez García researches human rights life writing by young women activists at the University of Navarra, Spain. She is a member of the International Auto/Biography Association, the IABA-SNS (Students and New Scholars) Network, AEDEAN (Spanish Association of Anglo-American Studies), and ISSN (International Society for the Study of Narrative).

Blurb

This book is a timely study of young women’s life writing as a form of human rights activism. It focuses on six young women who suffered human rights violations when they were girls and have gone on to become activists through life writing: Malala Yousafzai, Hyeonseo Lee, Yeonmi Park, Bana Alabed, Nujeen Mustafa, and Nadia Murad. Their ongoing life-writing projects diverge to some extent, but all share several notable features: they claim a testimonial collective voice, they deploy rights discourse, they excite humanitarian emotions, they link up their context-bound plight with bigger social justice causes, and they use English as their vehicle of self-expression and self-construction. This strategic use of English is of vital importance, as it has brought them together as icons in the public sphere within the last six years. New Forms of Self-Narration is the first ever attempt to explore all these activists’ life-writing texts side by side, encompassing both the written and the audiovisual material, online and offline, and taking all texts as belonging to a unique, single, though multifaceted, project.