Introduction: Entering Lynchtown - Andreas Rauscher, Marcel Hartwig, Peter Niedermüller
1. Visits Paid to the 'Imaginary Museum of Musical Works': David Lynch and the Musical Canon - Peter Niedermüller
2. Turn and Face the Strange: Changing Faces in the Cinema of Lynch - Mads Outzen
Part II: Twin Peaks as Transmedia Network
3. Singing the Body Electric: Myth and Electricity as Both Sides of a Metaphorical Coin in Twin Peaks: The Return - Willem Strank
4. The W/hole David Lynch: Twin Peaks: Fire Walk with Me - Constantine Verevis
5. ‘Is it future or is it past?’ Visual Effects in Twin Peaks: The Return - Jannik Müller
6. That Gum You Like Isn’t Going to Come Back in Style: Twin Peaks 1990–91/2017, Nostalgia and the End of (Golden Age) Television - Bernd Zywietz
7. 'Two Birds, One Stone’: Transmedia Storytelling in Twin Peaks - Dan Hassler-Forest
8. The World Spins: Transmedia Detours and Cinematic Configurations around Twin Peaks - Andreas Rauscher
Part III: David Lynch’s Transmedia Aesthetics
9. Tracing the Lost Highway: Mythical Topography in David Lynch’s Los Angeles Trilogy - Marcus Stiglegger
10. Structures of Female Desire, Control and Withdrawal in Lynch’s Cinematic Work - Lioba Schlösser
11. Room to Meme: ‘David Lynch’ as Problematic and Self-Evident Aesthetic Object in Digital Memes - Marcel Hartwig
Part IV: Videographic Criticism of David Lynch’s Cinematic Work
12. Researching Audiovisually: Experiments in Videographic Criticism in David Lynch’s The Elephant Man (1980) and Blue Velvet (1986) - Liz Greene
13. A Form That Keeps Unravelling: On David Lynch, Spontaneity and Organic Fluidity in Videographic Essay Production and Academia - Chris Aarnes Bakkane
Conclusion: Leaving Lynchtown - Andreas Rauscher, Marcel Hartwig, Peter Niedermüller?