Naturally Hypernatural I: Concepts of Nature

ISBN-13: 9783034321242 / Niemiecki / Miękka / 2016 / 214 str.

Suzanne Anker; Sabine Flach

Opis

Nature, a topic central to art history, is concurrently a dominant concept in contemporary art, art theory and its related disciplines such as cultural theory, philosophy, aesthetic theory and environmental studies. The project Naturally Hypernatural questions lines of tradition and predetermined categories that coexist with the topic of nature. Currently, nature in art surpasses the simple depiction of art as a material or object. To clarify and analyze the interrelations between nature and art is the aim of the project Naturally Hypernatural. Concepts of Nature - the first volume of this project - argues that contemporary art is predominantly concerned with concepts of nature regarding the depth of their implications in order to reveal and analyze their internal structure.

Spis treści

Tom Huhn: On Nature and Human Coldness - Sabine Flach: How much Life is in a Still-Life? Art's Hypernatural Nature - Gerhard Scharbert: Natural-Supernatural-Hypernatural. Modernity's Struggle against Naturalism - Hans Dickel: Hybridformen zeitgenössischer Kunst mit Natur: in Werken von Per Kirkeby, Andreas Eriksson, Carsten Höller und Pierre Huyghe - Suzanne Anker: Petri(e)'s Panoply - Anselm Wagner: Inside the Green Room. The Ideology of Nature in Contemporary Architecture - Nicolas de Oliveira/Nicola Oxley: In the Play of Shadow - Jeanne Silverthorne: The Invisible Worm - Gary Sherman: Significant Other - Thomas Feuerstein: Flesh for Fantasy - Lois Weinberger: Notizen über ein Feld - Margit Stadlober: Creative Nature in Renaissance Landscape - Maureen Jeram: Painting a Portrait: From the Natural to the Hypernatural.

O autorze

Suzanne Anker is a visual artist and theorist working at the nexus of art and the biological sciences. Her work has been shown both nationally and internationally in museums and galleries including the Walker Art Center, the Smithsonian Institute, the Phillips Collection, P.S.1 Museum, the JP Getty Museum, and the Museum of Modern Art in Japan. Her seminal text The Molecular Gaze: Art in the Genetic Age (co-authored with the late Dorothy Nelkin) was published in 2004. She is the Chair of the Fine Arts Department of School of Visual Arts in New York since 2005.