List of Figures
Acknowledgements
1. Introduction: Genre Panic at the Margins
Julie Lobalzo Wright and Martha Shearer
Generic boundaries2. Danceploitation, Musical Disruption, and Synergy in Saturday Night Fever, Flashdance, and Breakin’
Jenny Oyallon-Koloski
3. Pitching Utopia: Popular Music, Community, and Neoliberalism in the Choir Film
Eleonora Sammartino
4. E-Q-U-I-T-Y: Generic Boundaries, Gender, and Real Estate in the Magic Mike Films
Martha Shearer
5. Saint-Louis Blues: From Oral Storytelling to Aural Filmmaking
Estrella Sendra Fernández
Musicals of the margins
6. The Marseille Film Operetta
Marie Cadalanu and Phil Powrie
7. Heteroglossia in the Musical Number: Song, Music Performance, and Marginalised Identity in Tony Gatlif’s Swing (2002)
Tamsin Graves
8. Sexsationalist Feminism in The Devil’s Carnival Project (2012, 2015)
Joana Rita Ramalho
Musical sequences
9. The On- and Off-Screen Politics of Sophia Loren’s Musical Performances in Houseboat (1958) and It Started in Naples (1960)
Sarah Culhane
10. ‘Just a Little Warm-Up for the Job’: Harold Nicholas, the Specialty Act, and the Hollywood Song-and-Dance Man
Kate Saccone
11. A Language of its Own: Mani Ratnam’s Experiments with the Song Scene
Aakshi Magazine
Music
12. Pianos, Affect and Memory
Paul Mazey and Sarah Street
13. Everybody Wants to Be a Cat: Jazz Culture and Disney Animation in the 1960s
Landon Palmer
14. Short-Form Pop Music Films in 1960s Britain
Richard Farmer
15. “Good Evening Pasadena!”: Fantastical Performance Spaces in the Rock Documentary
Richard Wallace
Musicals across media
16. Live Musical Spectaculars: Eventizing Network Television in the Post-Network Age
Anthony Enns
17. Camp and the Celebration of the Popular Song in RuPaul’s Drag Race “Lip Sync for Your Life”
Julie Lobalzo Wright
List of Contributors
Index