Matthew Gelbart assimilates a broad range of genre theory and adds his own nuances spurred on by the specifics of the Romantic music that forms the basis of the study. As such, he highlights how genre is one the ties that binds Western art music of the 19th century to contemporary popular music as well as to other types of music. Musical Genre and Romantic Ideology is impeccably researched and a pleasure to read.
Matthew Gelbart is Associate Professor of Music at Fordham University. Following his previous book The Invention of "Folk Music" and "Art Music": Emerging Categories from Ossian to Wagner and his work on nineteenth-century European music and twentieth-century popular music, he is interested in how we make meaning from music through categories and identities.