In this book, musicologist Alexander Fisher gives us an ear-opening account of the soundscape of early modern Bavaria. Music is his chief concern and, as well as the prolific and central outpit of Orland di Lasso (died Munich, 1594), he looks at the work of lesser-known composers, hymn writers, song collectors, street performers, and pamphlet publishers. But he casts a wide net, taking in bagpipes, hurdy-gurdies, cheering, bells, gunfire, and cannon. Fisher's aim is
to bring together musicology and soundscape studies to inquire into the way sound gives shape to space and identity.
Alexander J. Fisher is Associate Professor of Music at the University of British Columbia in Vancouver, Canada. A musicologist specializing in music, sound, and religious culture in early modern Europe, he teaches courses in early music and coordinates the university's Early Music Ensemble.