Museums in a Digital Age

ISBN-13: 9780415402620 / Angielski / Miękka / 2009 / 478 str.

Opis

The influence of digital media on the cultural heritage sector has been pervasive and profound. Today museums are reliant on new technology to manage their collections. They collect digital as well as material things. New media is embedded within their exhibition spaces. And their activity online is as important as their physical presence on site. However, 'digital heritage' (as an area of practice and as a subject of study) does not exist in one single place. Its evidence base is complex, diverse and distributed, and its content is available through multiple channels, on varied media, in myriad locations, and different genres of writing. It is this diaspora of material and practice that this Reader is intended to address. With over forty chapters (by some fifty authors and co-authors), from around the world, spanning over twenty years of museum practice and research, this volume acts as an aggregator drawing selectively from a notoriously distributed network of content. Divided into seven parts (on information, space, access, interpretation, objects, production and futures), the book presents a series of cross-sections through the body of digital heritage literature, each revealing how a different aspect of curatorship and museum provision has been informed, shaped or challenged by computing. Museums in a Digital Age is a provocative and inspiring guide for any student or practitioner of digital heritage.

Recenzje

"Museums in a Digital Age is thus a timely consideration of the role of the digital in the entire spectrum of museum activities...The...volume is...something much more attuned to the digital age which is its basis - a highly diverse, even eclectic, collection of papers broadly centred around the subject of the work." - Historic Environment

O autorze

Ross Parry is Senior Lecturer in Museum Studies at the University of Leicester, a scholar of digital heritage and a historian of museum media and technology. He is the author of Recoding the Museum: digital heritage and the technologies of change, the first major history of museum computing.