'The sociability of music-making is one of its most highly desirable (and oft-forgotten) attributes, one that musicology has steadily begun to address (and long may that continue). Klorman's Mozart's Music of Friends is a prominent and very welcome landmark in this progress.' John Irving, Journal of the Royal Musical Association
Foreword Patrick McCreless; Preface; Part I. Historical Perspectives: 1. The music of friends; 2. Chamber music and the metaphor of conversation; 3. Private, public, and playing in the present tense; Part II. Analytical Perspectives: 4. Analyzing from within the music: toward a theory of multiple agency; 5. Multiple agency and sonata form; 6. Multiple agency and meter; 7. An afternoon at skittles: analysis of the 'Kegelstatt' Trio, K. 498; Epilogue.