'With its expert handling of evidence of all kinds, Rice's study must count as the best portrait yet of Mozart as a man of the theatre, sharply and convincingly drawn.' Eighteenth-Century Music
Preface; 1. Mozart in the theater; 2. Mozart's operas: function, genres, archetypes; 3. Commissions, fees, and the origins of Mozart's operas; 4. Mozart and his librettists; 5. Composition; 6. Mozart and his singers; 7. Rehearsal, revision, and promotion; 8. Theaters and stage design; 9. The audience; 10. Performance and reception.
Rice, John John Rice (Phildephia, PA) is a Senior Communicati... więcej >