'… a comprehensive and nuanced study of the Blackfriars. … this elegant collection of essays sheds new light on how the material conditions of the Blackfriars may have influenced the ways in which plays were performed there …' Joel Benabu, Comparative Drama
Introduction Andrew Gurr and Farah Karim-Cooper; Part I. The Context of Hard Evidence: 1. Why the theatres changed John H. Astington; 2. Practical evidence for a re-imagined indoor Jacobean theatre Jon Greenfield and Peter McCurdy; 3. Documentary evidence for an indoor Jacobean theatre Oliver Jones; 4. Continuities and innovations in staging Mariko Ichikawa; Part II. Materiality Indoors: 5. 'A ruinous monastery': the Second Blackfriars playhouse as a place of nostalgia Tiffany Stern; 6. 'When torchlight made an artificial noon': light and darkness in the indoor Jacobean theatre Martin White; 7. Acoustic and visual practices indoors Sarah Dustagheer; 8. The audience of the indoor theatre Penelope Woods; 9. In the event of fire Paul Menzer; 10. To glisten in a playhouse: cosmetic beauty indoors Farah Karim-Cooper; Part III. The New Fashions for Indoors: 11. The new fashion for indoor plays Andrew Gurr; 12. Changing fashions: tragicomedy, romance and heroic women in the 1630s hall-playhouses Eleanor Collins; 13. Reviving the legacy of indoor performance Bart van Es; Appendix: list of plays performed at indoor playhouses, 1575–1642 Sarah Dustagheer.