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This book addresses an under-researched area of modernist studies, reconsidering modernist attitudes towards feeling in the light of the humanities' turn to affect.
Acknowledgments; Notes on Contributors; List of Illustrations; Introduction: Modernism and Affect; 1. Mind, Body and Embarrassment in Henry James’s The Awkward Age, John Attridge; 2. The Trauma of Form: Death Drive as Affect in À la recherche du temps perdu, Robbie McLaughlan; 3. Logic of the Heart: Affective Ethical Valuing in T.E. Hulme and Max Scheler, Christos Hadjiyiannis; 4. The Line that Binds: Climbing Narratives, Ropework and Epistolary Practice, Abbie Garrington; 5. The Amplification of Affect: Tension, Intensity and Form in Modern Dance, Paul Atkinson and Michelle Duffy; 6. Love and the Art Object, Joanne Winning; 7. Animating Cane: Race, Affect, History and Jean Toomer, Julie Taylor; 8. Fear and Precarious Life after Political Representation in Baudelaire, Richard Cole; 9. Bloom-Space of Theory: The Pleasure and the Bliss of Gerty MacDowell, Maria-Daniella Dick; 10. From Odysseus to Rotpeter: Adorno and Kafka, Mimicry and Happiness, Doug Haynes; 11. Making Happy, Happy-making: The Eameses and Communication by Design, Justus Nieland; Index
