TABLE OF CONTENTSLIST OF FIGURESACKOWLEDGEMENTS
INTRODUCTION
Tania Zulli & Kim Salmons
Part One: Crossing Borders
CONRAD’S RITES OF ENTRY AND RETURN
Robert Hampson
BACK IN (THE) UKRAINE: RITES OF PASSAGE AND RITES OF ENTRY
William Atkinson
FROM BERDYCZÓW TO BISHOPSBOURNE: CONRAD’S REAL AND IMAGINARY JOURNEYS
Agnieszka Adamowicz-Pospiech
‘THE VISION OF A COSMOPOLITAN’: THE TRANSNATIONAL AESTHETIC OF A PERSONAL RECORD
Riccardo Capoferro
Part Two: Empire, Movement and Migration
‘NEW SHADES OF EXPRESSION:’ DEATH AND EMPIRE IN CONRAD’S UNRESTFUL TALES.
Richard Niland
‘QUEER FOREIGN FISH’: FOOD AND MIGRATION IN ALMAYER’S FOLLY AND THE SECRET AGENT
Kim Salmons
“THE EAST SPOKE TO ME, BUT IT WAS IN A WESTERN VOICE”:
PERLOCUTIONARY ACTS AND THE LANGUAGE OF MIGRATION IN CONRAD’S FICTION
Tania Zulli
A ‘SETTLED RESIDENT’: MOVEMENTS OF PEOPLES AND CULTURES IN CONRAD’S MALAY FICTION
Andrew Francis
Part Three: Modernity and the Transnational
ARAB AND MUSLIM TRANSNATIONALISM IN CONRAD’S MALAY FICTION
Katherine Baxter
‘AMY FOSTER’, AMERIKA AND AFTER BREAD: MODERNISM, TECHNOLOGY AND THE IMMIGRANT
Yael Levin
FOUR EXILES IN THREE VOLUMES:
W. G. SEBALD, EWA KURYLUK, JUAN GABRIEL VÁSQUEZ AND JOSEPH CONRAD
Laurence Davies
AFTERWORD: HOW BLACK LIVES MATTER FOR CONRAD’S PERSONAL RECORD OF MIGRATION AND TRANSNATIONALISM
Christopher Gogwilt