Michael Chekhov Technique in the Twenty-First Century: New Pathways

ISBN-13: 9781474273183 / Angielski / Twarda / 2020 / 224 str.

Cass Fleming; Tom Cornford

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Acknowledgements Contributing authors Introduction Chekhov Technique: Past, Present and Future, Cass Fleming Section One Chekhov Technique: Processes of Theatre Making Chapter 1 ‘Theatre of the Future’: Chekhov Technique for Devised Theatre and Catalyst Direction, Cass Fleming Chapter 2 Actor-Dramaturgs and Atmospheric Dramaturgies: Chekhov Technique in Processes of Collaborative Playwriting, Tom Cornford Section Two Chekhov Technique: Beyond Acting Chapter 3 The Expressive Voice in Performance: Chekhov Technique for Voice and Singing, Daron Oram Chapter 4 ‘The moment you are not inwardly moving and inwardly participating, you are dead’ – Chekhov Technique in Actor-Movement and Dance, Roanna Mitchell Chapter 5 Feeling Space, Making Space: Michael Chekhov’s Approach to Theatre Design, Sinéad Rushe Section Three Chekhov Technique: Beyond the Theatre Chapter 6 ‘If the new theatre is to have meaning, the audience too must play its part’: Chekhov Technique in Applied, Therapeutic and Community Contexts, Caoimhe McAvinchey Cross-currents and conclusions Cross Currents and Conclusions, Cass Fleming and Tom Cornford Glossary Bibliography Index