Chapter One: Introduction: Memory and the Moving Image.- Chapter Two: Critical Nostalgia and the Centenary of Cinema.- Chapter Three: Database Narrative.- Chapter Four: The Echo-Chamber: Remembering Cinema.- Chapter Five: Mediatized Memories.- Afterword
Sarah Durcan is Programme Leader of the MFA Fine Art, National College of Art and Design, Dublin, Ireland. She is a contributor to Extended Temporalities (2016), Moving Image Review and Art Journal and Screening the Past.