Unforgettable. . . . A masterful work of speculative fiction. Chicago Tribune
Ogawa s fable echoes the themes of George Orwell s 1984, Ray Bradbury s Fahrenheit 451, and Gabriel García Márquez s One Hundred Years of Solitude, but it has a voice and power all its own. Time
A masterpiece. . . . A novel that makes us see differently. . . . It is a rare work of patient and courageous vision. The Guardian
A feat of dark imagination . . . an intimate, suspenseful drama of courage and endurance. The Wall Street Journal
[A] masterly novel. The New Yorker
An elegantly spare dystopian fable. . . . It tingles with dread. The New York Times Book Review
Quietly devastating . . . Ogawa finds new ways to express old anxieties about authoritarianism, environmental depredation and humanity s willingness to be complicit in its own demise. The Washington Post
Timely, provocative reading . . . A harrowing parable about the importance of memory and the profound danger of cultural amnesia. Esquire One of my favorite novels of the decade. . . . It s a perfect correction to the overwrought politico-apocalyptic fiction so fashionable in These Times. . . . It clarifies all the things our wired society muddles, especially, and most profoundly, the saving grace of the human touch. Hillary Kelly, Vulture
Profoundly powerful. . . . It has the timelessness of a fable, yet feels like an urgent warning about the need for resistance in a world that seems all too quick to forget the lessons of the past. The A.V. Club
A searing, vividly imagined novel by a wildly talented writer . . . Dark and ambitious. Publishers Weekly (starred review)
The novel is particularly resonant now, at a time of rising authoritarianism across the globe. Throughout the book, citizens live under police surveillance. Novels are burned. People are detained and interrogated without explanation. The New York Times
Ogawa lays open a hushed defiance against a totalitarian regime by training her prodigious talent on magnifying the efforts of those who persistently but quietly rebel. The Japan Times
Strange, beautiful and affecting. The Sunday Times (London)
The Memory Police truly feels like a portrait of today. To await the future is to disappear the present which only accelerates the speed with which now turns to then, and then turns to nothing . . . A lovely, if bleak, meditation on faith and creativity or faith in creativity in a world that disavows both. Wired
Haunting and imaginative. Refinery29
Ogawa crafts a powerful story about the processing of loss and the importance of memories. Annabel Gutterman, Time Eerily surreal, Ogawa s novel takes Orwellian tropes of a surveillance state and makes them markedly her own. Thrillist A taut, claustrophobic thriller. Salon
Yoko Ogawa has won every major Japanese literary award. Her fiction has appeared in The New Yorker, A Public Space, and Zoetrope: All-Story. Her works include The Diving Pool, a collection of three novellas; The Housekeeper and the Professor; Hotel Iris; and Revenge. She lives in Hyogo.