Chapter 1. Introduction: Making Masculinities Through Music
Chapter 2. Gendering the Boy Voice
Chapter 3. Venerating Angels
Chapter 4. Thinking about Masculinity, Class and Music with Bordieu
Chapter 5. Capitalising on Musical Mothering
Chapter 6. Becoming Choirboys
Chapter 7. Vocalising Gender and Class
Chapter 8. Practising Virtuosity
Chapter 9. Conclusion
Clare Hall is Lecturer in Performing Arts at Monash University, Australia. Her research is located in the sociology of education and the creative arts, with a focus on music and intersectionality.