'… a rhetorically meticulous reading, historically informed without being historicizing, showing how a few carefully deployed rhetorical devices produce the startling affective jolts, the impression of wrenching selfhood and inexplicable, inexpiable yearnings that this poetry can still call forth.' William N. West, Modern Philology
1. Introduction; 2. Petrarch and the existential singular; 3. Minimal lost worlds: the rondeaux of Charles d'Orléans; 4. Ronsard's singular erotic reciprocity (Les Amours de Cassandre); 5. Singularity as emptiness: Du Bellay's Regrets; 6. Montaigne and his 'sublime' lyric; 7. Conclusion; Bibliography.