Introduction
1. Charting Three Freudian Hypotheses with Pop Music: the economic, the topographic, the structural
2. Freud, Music, and the Psychological Condition
3. Bright Eyes (and friends) and the Antlers Meet Jacques Lacan
4. Phallocentrism, Sexuation and the Chora, from Lacan to Kristeva; Gaga to Björk
5. The Death Drive and Unconscious Production
6. “Do you want to be the ebb of this great tide?” Lacan, Freud, Nietzsche, Deleuze, and “Joy in Repetition”: Prince and LCD Soundsystem
7. S & M, & Pop Perversion
8. Polly Jean Harvey asks,“Is this desire [enough]?”
BibliographyIndex