To make authority requires being seen as having the capacity to call the disobedient to account. As Julie Stone Peters brilliantly excavates in her analysis of the 'performance of law' in literary and legal accounts, the audience regularly took center stage. This volume is a treasure trove of ideas and images illuminating the interwoven fabric of courts and theater, as both genres are dependent on spectatorship for their vitality.
Julie Stone Peters (B.A. Yale, Ph.D. Princeton, J.D. Columbia) is the H. Gordon Garbedian Professor of English and Comparative Literature at Columbia University and Co-Chair of Columbia's Theatre and Performance PhD Program. She has taught at Harvard, Stanford, and the Metropolitan Detention Center (Brooklyn), was Founding Director of the Columbia College Human Rights Program, and has been the recipient of Guggenheim, NEH, Fulbright, ACLS, Humboldt, and other
fellowships. Her publications include Theatre of the Book: Print, Text, and Performance in Europe 1480-1880 (Oxford University Press, 2000, winner of the Harry Levin and Beatrice White Prizes), Women's Rights, Human Rights: International Feminist Perspectives (co-edited, Routledge, 1995), and numerous
studies of drama, performance, film, media, and the cultural history of law.