Late Byzantium Reconsidered: The Arts of the Palaiologan Era in the Mediterranean

ISBN-13: 9780367671525 / Angielski / Miękka / 2020 / 226 str.

Andrea Mattiello; Maria Alessia Rossi

Opis

This volume offers a unique collection of essays analysing the artistic achievements of Mediterranean centres linked to the Byzantine Empire between 1261 and the decades after 1453.

Recenzje

‘[This book] provides valuable studies on the period and opens the interest to wider scholarly areas’ - HIPERBOREEA

Spis treści

List of illustrations

Foreword

Acknowledgements

Notes on contributors

Introduction

1. 'And the whole city cheered': the poetics and politics of the miraculous in the early Palaiologan period (Niels Gaul)

2. Art in decline or art in the age of decline? Historiography and new approaches to Late Byzantine painting (Ivana Jevtic)

3. The timeliness of timelessness: reconsidering decline in the Palaiologan period (Cecily J. Hilsdale)

4. Reconsidering the Early Palaiologan period: anti-Latin propaganda, miracle accounts, and monumental art (Maria Alessia Rossi)

5. How to illustrate a scientific treatise in the Palaiologan period (Andrew Griebeler)

6. Looking beyond the city walls of Mystras: the transformation of the religious landscape of Laconia (Ludovic Bender)

7. Remnants of an era: monasteries and lay piety in Late Byzantine Sozopolis (Georgios Makris)

8. Palaiologan art from regional Crete: artistic decline or social progress? (Angeliki Lymberopoulou)

9. Liturgical and devotional artefacts in the Venetian churches of the Levant, thirteenth to fifteenth century (Livia Bevilaqua)

10. Who’s that man? The perception of Byzantium in fifteenth-century Italy (Andrea Mattiello)

11. The story behind the image: the literary patronage of Tsar Ivan Alexander of Bulgaria between ostentation and decline (Lilyana Yordanova)

12. Imperial portraits of the Grand Komnenoi of Trebizond (1204–1461) (Tatiana Bardashova)

O autorze

Andrea Mattiello holds a PhD from the Centre for Byzantine, Ottoman and Modern Greek Studies, University of Birmingham, UK. His research focuses on the art, architecture, and visual cultural production of the Palaiologan period. In particular, he has worked on cross-cultural interactions at the court of Mystras in relation to the agency of the Italian and Frankish wives of the Byzantine despots of Morea, and on late medieval and early modern image production in the context of the exchanges between Greek scholars and Italian humanists.

Maria Alessia Rossi completed her PhD at the Courtauld Institute of Art in 2017 and is currently the Samuel H. Kress Postdoctoral Researcher at the Index of Medieval Art at Princeton University, USA. Her main research interests include medieval art and architecture in the Byzantine and Slavic cultural spheres, artistic production and patronage in the Mediterranean, cross-cultural contacts and eclecticism in art between the Eastern and Western Christian world, the role of the miraculous, image theory, and gender theory.