Acknowledgements; Abbreviations; Introduction: Thinking Sideways through One’s Sisters, Christine Froula; CRITICISM; Powers of Disgust: Katherine Mansfield and Virginia Woolf, Maud Ellmann; Together and Apart, Maria DiBattista; Seated between ‘Geniuses’: Conrad Aiken’s Imaginative and Critical Responses to Katherine Mansfield and Virginia Woolf, Sydney Janet Kaplan; Katherine’s Secrets, Christine Froula; A Conversation Set to Flowers: Beyond the Origins of Kew Gardens, Karina Jakubowicz; ‘roses blooming under glass; lips cut with a knife’: Hermeneutics of the Modern Female Face in Woolf and Mansfield, Halyna Chumak; The Fly and the Displaced Self: Affective Potential in the Epiphanic Moments of Mansfield, Woolf, and Lawrence, Cheryl Hindrichs; Dangerous Reading in Mansfield’s Stories and Woolf’s ‘The Fisherman and His Wife’, Brian Richardson; CREATIVE WRITING; Talk; Ali Smith: Getting Virginia Woolf's Goat; Play; Barbara Egel: The Point of ‘Slater’s Pins’: An Introduction; Barbara Egel: Virginia Woolf's ‘Moments of Being: “Slater’s Pins Have No Points”’: A Dramatic Adaptation; Poems; Jackie Jones: ‘Katherine Mansfield’s Heirlooms’; Maggie Rainey-Smith: ‘How too weird’; CRITICAL MISCELLANY; ‘Not the kind to die’: Katherine Mansfield and the Unquiet Ghost of ‘little brother’, J. Lawrence Mitchell; REVIEW ESSAY; ‘Which of my many […] hundreds of selves?’ Extending Mansfield’s Posthumous Literary Reputation, Claire Drewery; Notes on Contributors; Index.