Acknowledgements; Jihadi Audiovisuality and its Entanglements: A Conceptual Framework, Christoph Günther and Simone Pfeifer;
A: Ethical Challenges of Empirically Grounded Research on Jihadism; 1. On Speaking, Remaining Silent and Being Heard: Framing Research, Positionality and Publics in the Jihadi Field, Martijn de Koning, Annelies Moors, Aysha Navest; 2. Designing Research on Radicalisation using Social Media Content: Data Protection Regulations as Challenges and Opportunities, Manjana Sold, Hande Abay Gaspar, Julian Junk; 3. Ethics in Gender Online Research: A Facebook Case Study, Claudia Carvalho; B: Visualising Jihadi Ideology and Action; 4. Appropriation in Islamic State Propaganda: A Theoretical and Analytical Framework of Types and Dimensions, Bernd Zywietz and Yorck Beese; 5. Visual Performativity of Violence: Power and Retaliatory Humiliation in Islamic State (IS) Beheading Videos between 2014 and 2017, Michael Krona; 6. From the Darkness into the Light. Narratives of Conversion in Jihadi Videos, Christoph Günther; C: Appropriating and Contesting Jihadi Audiovisuality; 7. Artivism, Politics and Islam – An Empirical-Theoretical Approach to Artistic Strategies and Aesthetic Counter-Narratives that Defy Collective Stigmatisation, Monika Salzbrunn; 8. Re-enacting Violence: Contesting Public Spheres with Appropriations of IS Execution Videos, Simone Pfeifer, Larissa-Diana Fuhrmann, Patricia Wevers; 9. ‘You’re against Dawla, but you’re Listening to their Nasheeds?’ Appropriating Jihadi Audio-Visualities in the Online Streetwork Project Jamal al-Khatib – My Path! Rami Ali, Džemal Šibljakovi?, Felix Lippe, Ulrich Neuburg, Florian Neuburg; D: Anashid: Soundscapes of Religio-Politcal Experience; 10. ‘Nash?d’ between Islamic Chanting and Jihadi Hymns: Continuities and Transformations; Ines Weinrich; 11. An?sh?d at the Crossroad between the Organizational and the Private, Karin Berg; 12. Contested Chants: The Nash?d S?ali?l al-S?awa?rim and its Appropriations, Alexandra Dick and Larissa-Diana Fuhrmann; Index.