List of figures
Acknowledgements
Preface
Introduction
Part One: Theory
1. Theoretical Intersections: The Japanese Horror Genre and National, Transnational and Global Flows
2. Theoretical Transformations: The Perspectives of Gilles Deleuze
Part Two: Case-Studies
3. The “Any-Space-Whatever", “Becoming-Woman" and Ju-On: The Grudge (2002)
4. Auteurship, Adaptation and the Molecularity of Audition (1999)
5. Kairo (2001): Cosmicism and “Becoming-Machine"
Conclusion
Bibliography
Index