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Investigations Into the Phenomenology and the Ontology of the Work of Art: What Are Artworks and How Do We Experience Them?

ISBN-13: 9783319140896 / Angielski / Twarda / 2015 / 264 str.

Peer F. Bundgaard; Frederik Stjernfelt
Investigations Into the Phenomenology and the Ontology of the Work of Art: What Are Artworks and How Do We Experience Them? Bundgaard, Peer F. 9783319140896 Springer - książkaWidoczna okładka, to zdjęcie poglądowe, a rzeczywista szata graficzna może różnić się od prezentowanej.

Investigations Into the Phenomenology and the Ontology of the Work of Art: What Are Artworks and How Do We Experience Them?

ISBN-13: 9783319140896 / Angielski / Twarda / 2015 / 264 str.

Peer F. Bundgaard; Frederik Stjernfelt
cena 200,77
(netto: 191,21 VAT:  5%)

Najniższa cena z 30 dni: 192,74
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Dostawa w 2026 r.

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​This book investigates the nature of aesthetic experience and aesthetic objects. Written by leading philosophers, psychologists, literary scholars and semioticians, the book addresses two intertwined issues. The first is related to the phenomenology of aesthetic experience: The understanding of how human beings respond to artworks, how we process linguistic or visual information, and what properties in artworks trigger aesthetic experiences. The examination of the properties of aesthetic experience reveals essential aspects of our perceptual, cognitive, and semiotic capacities. The second issue studied in this volume is related to the ontology of the work of art: Written or visual artworks are a specific type of objects, containing particular kinds of representation which elicit a particular kind of experience. The research question explored is: What properties in artful objects trigger this type of experience, and what characterizes representation in written and visual artworks? The volume sets the scene for state-of-the-art inquiries in the intersection between the psychology and ontology of art. The investigations of the relation between the properties of artworks and the characteristics of aesthetic experience increase our insight into what art is. In addition, they shed light on essential properties of human meaning-making in general.

Kategorie:
Nauka, Psychologia
Kategorie BISAC:
Philosophy > Movements - Phenomenology
Psychology > Cognitive Psychology & Cognition
Philosophy > Estetyka
Wydawca:
Springer
Seria wydawnicza:
Contributions to Phenomenology
Język:
Angielski
ISBN-13:
9783319140896
Rok wydania:
2015
Wydanie:
2015
Numer serii:
000033530
Ilość stron:
264
Waga:
0.55 kg
Wymiary:
23.39 x 15.6 x 1.6
Oprawa:
Twarda
Wolumenów:
01






Peer Bundgaard is professor at the Center for Semiotics, Aarhus University, and is the Editor-in-Chief of Cognitive Semiotics.

Frederik Stjernfelt is professor at the Center for Semiotics, Aarhus University, and is member of the Danish Academy as well as the Royal Danish Academy of Sciences and Letters. Post-doctoral habilitation Diagrammatology (Springer 2007). He is also a guest professor at Humboldt University Berlin 2010.

This book investigates the nature of aesthetic experience and aesthetic objects. Written by leading philosophers, psychologists, literary scholars and semioticians, the book addresses two intertwined issues. The first is related to the phenomenology of aesthetic experience: The understanding of how human beings respond to artworks, how we process linguistic or visual information, and what properties in artworks trigger aesthetic experiences. The examination of the properties of aesthetic experience reveals essential aspects of our perceptual, cognitive, and semiotic capacities. The second issue studied in this volume is related to the ontology of the work of art: Written or visual artworks are a specific type of objects, containing particular kinds of representation which elicit a particular kind of experience. The research question explored is: What properties in artful objects trigger this type of experience, and what characterizes representation in written and visual artworks? The volume sets the scene for state-of-the-art inquiries in the intersection between the psychology and ontology of art. The investigations of the relation between the properties of artworks and the characteristics of aesthetic experience increase our insight into what art is. In addition, they shed light on essential properties of human meaning-making in general.




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