Inventing the Barbarian: Greek Self-Definition Through Tragedy

ISBN-13: 9780198147800 / Angielski / Miękka / 1991 / 296 str.

Edith Hall

Opis

Incest, polygamy, murder, sacrilege, impalement, castration, female power, and despotism are some of the images used by Athenian tragedians to define the non-Greek, "barbarian" world. This book explains for the first time the reasons behind their singular fascination with barbarians. Edith Hall sets the Greek plays against the historical background of the Panhellenic wars, and the establishment of an Athenian empire based on democracy and slavery. Analyzed within the context of contemporary anthropology and political philosophy, Hall reveals how the poets conceptualized the barbarian as the negative embodiment of Athenian civic ideals. She compares the treatment of foreigners in Homer and in tragedy, showing that the new dimension which the idea of the barbarian had brought to the tragic theater radically affected the poets' interpretation of myth and their evocation of the distant past, as well as enriching their reportoire of aural and visual effects. Hall argues that the invented barbarian of the tragic stage was a powerful cultural expression of Greek xenophobia and chauvinism that, paradoxically, produced and outburst of creative energy and literary innovation.

Recenzje

'a beautiful book which developed out of the author's PhD-thesis. It is elegantly produced, provided with an elaborate bibliography, an index of passages cited and a general index ... well-argued and carefully referenced text ... an important contribution to both Athenian history and Persian history.' Heleen Sancisi-Weerdenburg, Rijksuniversiteit Utrecht, De Novis Libris Judicia

Spis treści

Acknowldgements; Preface; Editions and abbreviations; Setting the stage; Inventing Persia; The barbarian enters myth; An Athenian rhetoric; The polarity deconstructed; Bibliography; Index