Interpreting Modernism in Korean Art: Fluidity and Fragmentation

ISBN-13: 9780367367435 / Angielski / Twarda / 2021 / 218 str.

Kyunghee Pyun; Jung-Ah Woo

Opis

This book examines the development of national emblems, photographic portraiture, oil painting, world expositions, modern space for art exhibitions, university programs of visual arts, and other agencies of modern art in Korea.

Spis treści

Introduction;  1. Modernity, Modernism, and the Modern in Korean Art and Culture (Jung-Ah Woo and Kyunghee Pyun);  Part I: Korean Modernity and Modernism;  2. Korean Art in the Historiography of Multiple Modernities (Kyunghee Pyun);  3. Modernism and Avant-Garde in Korean Art (Youngna Kim);  Part II: Inventing a Modern Nation: Visual Culture at the Turn of the Century;  4. The Search for Modernity in Korean Ink-wash Painting (Mingi Kang);  5. Royal Propaganda and National Identity in Emperor Gojong’s Portrait Photography (Heangga Kwon);  6. From Patriotism to Capitalism: Transformation of Korean National Symbols Under Colonial Rule (Soohyun Mok);  Part III: Visualizing Colonial Modernities;  7. Modernity and Authenticity in Korean Pictorialism: From Pungsok Painting to Art Photography (Hye-ri Oh);  8. "Vernacular Modernism" in Korea: Lee Quede’s Hyangtosaek and Yanagi Muneyoshi’s Folk Art Movement (Yeon Shim Chung);  9. Korea, Last Retreat in Wartime for Murayama Tomoyoshi, a Modernist (Toshiharu Omuka);  Part IV: Cultural Consumption and Modernism;  10. Magazine Covers and Colonial Modernity: Politics of the Korean Face (Yuri Seo);  11. Korean Modernists and the Nangnang Parlour Coffeehouse in the 1930s (Younjung Oh);  12. Cultural Network in 1930s Korea: Avant-Garde Practices and Individual Artistry (Inhye Kim);  Part V: Modernism as Ideology: Revision and Appropriation;  13. Architecture as a Profession in Modern Korea (Hyunjung Cho);  14. Imitation or Necessity: A Framework for Postwar Korean Art in Contemporary Art Criticism (Chunghoon Shin);  15. Never a Failed Avant-Garde: Interdisciplinary Strategy of the Fourth Group in 1969–1970 (Sooran Choi);  Epilogue;  16. Contemporaneity of Korean Contemporary Art (Jung-Ah Woo)