ISBN-13: 9781032601465 / Twarda / 2024 / 224 str.
ISBN-13: 9781032601465 / Twarda / 2024 / 224 str.
Interior Design on Edge explores ways that interiors both constitute and upset our edges, whether physical, conceptual or psychological, imagined, implied, necessary or discriminatory.
Introduction Section I: Liminal Edges 1. From the Inside Out: China’s Post-Socialist Housing Reform
Yang Yang 2. [re] Tracing the Veil: Implied Boundary and Invisible Wall 3. Province of Interiors: Strategies and Tactics on the Frontier of Northern New Spain 4. The Plastex Wall and the Analytic Couch: Surface, Subject, and the Psychotherapeutic Interior 5. Embodied Imaginaries of Interior Space: A framework for Dynamic Environments and Sensory Inclusion Section II: Material Edges 6. Interior Landscapes: A Look at the Interior at the Microscale 7. Being Manwaring: Crafting Embodied History 8. Earth-Eating in Golden Age Spain: On the Pleasure of Clay and the Secrets of Women 9. At the Edge of the Earth Section III: Mediating 10. The Production of the Traveling Public: Rest Stop Interior Design 1950–1970 11. Body Language 12. Polyatmospheric Urban Interiors: Late-COVID-19 Case Studies 13. The Day the Sun Never Rose: COVID-19, Wildfire and California’s Relationship with Interior Air 14. Moving to the Edge: How the Relocation of the Provincial Higher Architecture Institute in Hasselt, Belgium, Reshaped Its Interior Architecture Program
Erica Morawski, PhD, is Assistant Professor in the Department of Art and Design History at Pratt Institute in New York. Her research investigates how design mediates relationships between state and populace through approaches that seek to privilege underrepresented histories through a focus on the Hispanic Caribbean within a global context. She is currently completing a book that explores the role of tourism design, particularly hotels, played in shaping domestic and international politics and questions of national sovereignty in Puerto Rico, the Dominican Republic, and Cuba. She has published in the Journal of Design History, Journal of the Society of Architectural Historians, and has essays in The Politics of Furniture: Identity, Diplomacy and Persuasion, Design History Beyond the Canon, Imperial Islands: Art, Architecture and Visual Experience in the US Insular Empire after 1898, and Coastal Architectures and the Politics of Tourism: Leisurescapes in the Global South.
Deborah Schneiderman, RA,LEED AP, is Professor of Interior Design at Pratt Institute and principal/founder of deSc: architecture/design/research. Her praxis explores the emerging fabricated interior environment and its materiality. Schneiderman’s Published research includes the books Inside Prefab: The Ready-Made Interior, The Prefab Bathroom, Textile, Technology and Design: From Interior Space to Outer Space (with Alexa Griffith Winton), Interiors Beyond Architecture (with Amy Campos), and Interior Provocations: History, Theory, and Practice of Autonomous Interiors (with Anca I. Lasc, et. al.). She has exhibited work and lectured internationally including the Storefront for Art and Architecture, The Center for Architecture, and Van Alen Institute. Schneiderman earned her BS in Design and Environmental Analysis from Cornell University and MArch from SCI-Arc.
Keena Suh is a Professor in the Interior Design department at Pratt Institute where she teaches design studios, electives, and construction courses at the undergraduate and graduate levels while coordinating the department’s construction-related courses. Her pedagogical focus is in fostering innovative learning and teaching opportunities through community-based, cross-disciplinary, and collaborative learning. She is a co-editor of Interior Provocations: History, Theory and Practice of Autonomous Interiors and section editor of Interior Provocations: Appropriate(d) Interiors. She earned her MArch from Columbia University.
Karin Tehve is Professor of Interior Design at Pratt Institute, where she coordinates the theory and undergraduate thesis curriculum in Interior Design. She earned her Master of Architecture degree at the Harvard Graduate School of Design. Her experience includes architecture, interiors, and site‐specific art, her research and writing concentrates on taste, media and identity, and their intersection with the public realm. Conference presentations include IDEC, ACSA and Common Ground. She has published in the Journal of Design History, The Journal of Interior Design, The International Journal of Interior Architecture + Spatial Design, contributed to Interiors Beyond Architecture, and is co-editor and contributor for Interior Provocations: History, Theory and Practice of Autonomous Interiors and Appropriate(d) Interiors. Her book, Taste, Media and Interior Design, was published by Routledge in 2023.
Karyn Zieve, PhD is Assistant Dean of the School of Liberal Arts and Sciences and Adjunct Assistant Professor CCE in the History of Art and Design Department at Pratt Institute. She earned her MA from University of Pennsylvania and her Ph.D from Institute of Fine Arts, NYU. Her work investigates cross-cultural communications and miscommunications, particularly those of nineteenth-century France and the Eastern Mediterranean and Northern Africa, as well as questions of historiography, museums and collecting. She is a co-editor of Interior Provocations: History, Theory and Practice of Autonomous Interiors (with Anca Lasc, et. al.) and section editor of Interior Provocations: Appropriate(d) Interiors.
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