Innovation in Music: Cultures and Contexts

ISBN-13: 9781032611174 / Twarda / 2024 / 280 str.

Opis

Innovation in Music: Cultures and Contexts is a groundbreaking collection, bringing together contributions from instructors, researchers and professionals. Split into two sections, covering creative production practices and national/international perspectives, this volume offers truly global outlooks on ever-evolving practices.

Spis treści

Part 1: Creative Production Practice  1. Staging Notions of Space: Realising Compositional Intention in 3D and Stereo Record Production  2. Exploring Dolby Atmos: Past Present, and Future  3. Introducing the Hyper Near-Field Dolby Atmos Tiny Studio  4. Rap as Composite Auditory Streams: Techniques and Approaches for Chimericity Through Layered Vocal Production in Hip-Hop, and their Aesthetic Implications  5. Exploring the History of Distortion in Drum and Bass  6. Dynamic Meta-Spatialization: Narrative and Recontextualization Implications of Spatial Stage Stacking  7. Vocal Chops: Another Human/Machine Hybrid  8. “Come together, right now...”: Making Remote Multiparty in-the-Box Audio Mixing a Reality  9. A Creative Methodology for Self-Production  10. Two Production Strategies for Music Synchronisation as Speculative Entrepreneurship  Part 2: National and International Perspectives  11. Mobile Classical Music – Recording, Innovation, Networks and Mediatization: Three Swedish Case Studies from the 1940s to 2021  12. “Culture Produces An Industry”: Production and Promotion Strategies of Campus Song Records by Taiwanese Synco Corporation  13. Business Model Innovation in the Music Industry: A Study of European Songwriters Working Towards China’s Market  14. Yellow Music in Diaspora: Re-inventing the Sound of pre-1975 Record Production in Sài Gòn  15. Innovating Music Experiences – Creativity in Pandemic Times  16. Connecting Across Borders: Communication Tools and Group Practices of Remote Music Collaborators  17. From Master Pieces to Masterpiece: Source Selection and Reformatting During the Republishing Process of Legacy Music Productions  

O autorze

Jan-Olof Gullö is Professor in Music Production at the Royal College of Music, Stockholm, Sweden.

Russ Hepworth-Sawyer is a lecturer at York St John University. He is lead series editor for the Perspectives on Music Production series and has published many books with Focal Press.

Justin Paterson is a professor at the University of West London, as well as co-chair of the Innovation in Music conference series.

Rob Toulson is a professor at the University of West London.