Acknowledgements Introduction Chapter One: Towards a Genealogy of Sentimentalism in the 18th and 19th Century Chapter Two: Sentimental Aesthetics and Classical Film Theory Chapter Three: The Sentimental Chaplin: Comedy and Classical Narrative Chapter Four: Affect, or Postmodern Sentimentalism Chapter Five: The Sentiments of War In Spielberg and Tarantino Chapter Six: Sentiment and the ‘Smart’ Melodrama Conclusion Bibliography