Acknowledgments Foreword: The Truth of Horror: A Brief History of the Genre's Nonfiction Works … and Why We Need Them (Lisa Morton) Introduction (Michele Brittany and Nicholas Diak) Section One: Horror Writers Who Forged New Ground "The mist of death is on me": Ann Radcliffe's Unexplained Supernatural in Gaston de Blondeville (Elizabeth Bobbitt) Jekyll and Hyde Everywhere: Inconsistency and Disparity in the Real World (Erica McCrystal) ScatterGories: Class Upheaval, Social Chaos and the Horrors of Category Crisis in World War Z (J. Rocky Colavito) Section Two: Spotlighting Horror Writers Marjorie Bowen and the Third Fury (John C. Tibbetts) "When the cage came up there was something crouched a-top of it": The Haunted Tales of L.T.C. Rolt (Danny Rhodes) Richard Laymon's Rhetorical Style: Minimalism, Suspense and Negative Space (Gavin F. Hurley) Four Quadrants of Success: The Metalinguistics of Author Protagonists in the Fiction of Stephen King (James Arthur Anderson) Section Three: Exploring Literary Theory in Horror "The symptoms of possession": Gender, Power and Trauma in Late 20th Century Horror Novels (Bridget E. Keown) "Not a Bedtime Story": Investigating Textual Interactions Between the Horror Genre and Children's Picture Books (Emily Anctil) Synchronic Horror and the Dreaming: A Theory of Aboriginal Australian Horror and Monstrosity (Naomi Simone Borwein) "Gelatinous green immensity": Weird Fiction and the Grotesque Sublime (Johnny Murray) Section Four: Disease, Viruses and Death in Horror Night of the Living Dead, or Endgame: Jan Kott, Samuel Beckett and Zombies (Kevin J. Wetmore, Jr.) Koji Suzuki's Ring: A World Literary Perspective (Frazer Lee) Mapping Digital Dis-Ease: Representations of Movement and Technology in Jim Sonzero's Pulse and Stephen King's Cell (Rahel Sixta Schmitz) Afterword: Guardians of the Damned: Horror Scholarship and the Library (Becky Spratford) About the Contributors Index