Acknowledgements Notes on Contributors Introduction; Gary Bettinson & Daniel Martin
Part I: Formations and Fragmentations: The Development of Hong Kong Horror
Chapter 1: What Can a Neoi Gwei Teach Us? Adaptation as Reincarnation in Hong Kong Horror of the 1950s; Raymond Tsang Chapter 2: The White Snake in Hong Kong Horror Cinema: From Horrific Tales to Crowd Pleasers; Liang Luo Chapter 3: From Killer Snakes to Taxi Hunters: Hong Kong Horror in an Exploitation Context; Andy Willis Chapter 4: The Enduring Cult of The Bride with White Hair: Chivalry and the Monstrous Other in the Hong Kong Fantasy-Horror; Daniel Martin
Part II: Genre Hybridity: Comedy and Kung-Fu in the Hong Kong Horror
Chapter 5: Animated Pasts and Unseen Futures: On the Comic Element in Hong Kong Horror; Andrew Grossman Chapter 6: Performing (Comic) Abjection in the Hong Kong Ghost Story; Felicia Chan Chapter 7: Hands, Fingers, and Fists: ‘Grasping’ Hong Kong Horror Films; David Scott Diffrient Chapter 8: Tsui Hark’s Detective Dee Films: Police Procedural Colludes with Supernatural-Martial Arts Cinema; Kenneth Chan
Part III: Transnational Trends: Globalization and Politics in Contemporary Hong Kong Horror
Chapter 9: Cross-Border Implications: Transnational Haunting, Gender, and the Persistent Look of The Eye; Enrique Ajuria Ibarra Chapter 10: Food for Thought: Cannibalism in The Untold Story and Dumplings; Lisa Odham Stokes Chapter 11: Sympathy for the Slasher: Strategies of Character Engagement in Pang Ho-cheung’s Dream Home; Gary Bettinson Chapter 12: Ghostly Returns: The Politics of Horror in Hong Kong Cinema; Vivian Lee