Acknowledgements; A Note on Language; Glossary I: Chinese-language Film Titles; Glossary II: Chinese-language Names (Persons, Film Companies, etc.); Glossary III: Chinese-language Terms and Phrases; Illustrations; Preface; I NEW BEGINNINGS; Chapter One: Locating Sinophone Cinema; Chapter Two: The Sinification of Early Shanghai and Hong Kong Cinema; II NEW DIRECTIONS; Chapter Three: Huangmei diao pian; Chapter Four - Caizi/Jiaren Romance in Disguise; Chapter Five: Fanchuan Acting: Cross-dressing and Performative Transexualities; III NEW IMAGINARIES; Chapter Six: Tongzhi Articulations in Fengyue Films; Chapter Seven: Transness: Hong Kong’s Bond Movies (Bangpian); IV NEW WAVES; Chapter Eight: Tsui Hark: Accented Cinema; Chapter Nine: Tsui Hark: Time-Bomb Cinema; Chapter Ten: Tsui Hark: New Localisms; Afterword; Appendix: A Selection of Chinese-language Opera Film Avatars; Filmography and TV Resources; References