History of Italian Art, Volume II

ISBN-13: 9780745617558 / Angielski / Miękka / 1996 / 512 str.

Peter Burke; Claire Dorey; Ellen Bianchini

Opis

Published in two volumes, History of Italian Art provides a major history of Italian Art from antiquity to the present day. A distinguished group of cultural historians provide a comprehensive account of Italian "art" in the wider sense, examining not only painting and sculpture, but also photography and iconography, restorations and fakes, landscapes and writing.

Recenzje

"These well–chosen essays provide a comprehensive overview of Italian art." The Art Book Review

"Very useful essays here, and all of them could be readily set for undergraduate and graduate reading." The Oxford Art Journal

Spis treści

1. The Periodization of the History of Italian Art: Giovanni Previtali.

2. The Iconography of Italian Art 1100–1500 – an Approach: Salvatore Settis.

3. The History of Art and the Forms of Religious Life: Bruno Toscano.

4. Renaissance and Pseudo–Renaissance: Federico Zeri.

5. Towards the Modern Manner: from Mantegna to Raphael: Giovanni Romano.

Index.

Blurb

This is the second volume of a major two–volume history of Italian art which ranges from antiquity to the present day.

A distinguished group of cultural historians provides a comprehensive account of Italian "art" in the wider sense: as well as painting and sculpture, they examine photography and iconography, restorations and fakes, landscapes and writing. They focus not only on individual artists and epochs, but on the conditions under which Italian art was and is created: its principles, intentions and effects.

History of Italian Art represents a radical break with the compendium of facts and works found in conventional books on art history, exploring the mentalities and the institutions, the typography and the geography which have determined the main characteristics of Italian art over a thousand years. It will be welcomed by students and researchers in the history of art and cultural history, as well as anyone interested in the culture and history of Italy.

Both volumes are richly illustrated and include works by Titian, Botticelli, Bellini, Lotto, Da Modena, Giotto, Pisano, and many others.

Volume II includes contributions from Giovanni Previtali on the periodization of Italian art history, Giovanni Romero on art and everyday life in the Renaisssance court, Salvatore Settis on iconography in the Middle Ages, Bruno Toscano on art and the church in the seventeenth century, and Federico Zeri on the concept of the Renaissance and the conflict between historical and art–historical periods.