Heinrich Scheidemann's Keyboard Music : Transmission, Style and Chronology

ISBN-13: 9780754654414 / Angielski / Twarda / 2007 / 254 str.

Pieter Dirksen

Opis

One of the most remarkable tales in the field of early keyboard music concerns the music of Heinrich Scheidemann. This book shows how Scheidemann was a central personality in the rich musical life of Hamburg and stood on friendly terms with colleagues such as Johannes Praetorius, Ulrich Cernitz, Thomas Selle, Johann Schop and Johann Rist.

Recenzje

'This is an excellent book, whose argument is well arranged [and] well written...' Early Music Review ’This book is a welcome addition to sources about early seventeenth-century keyboard literature and Heinrich Scheidemann's music in particular. It is meticulously researched and organized, and well-written in a style in which very technical information can be clearly understood. The charts and lists of compositions are invaluable for any student of keyboard literature... a major source in the English language.’ Renaissance Quarterly ’The aim of this book is [...] that Heinrich Scheidemann should be regarded as 'the paramount figure in North German organ music of the first half of the seventeenth century, equalled only by Buxtehude in the second half'. That the book does indeed put forward persuasive arguments in favour of this assertion is testimony to the author's skilfully applied, and impressively extensive research methodology, and his painstaking collation and evaluation of evidence.’ The Consort ’... highly recommended for the library of any university, college, or conservatory that cares about early keyboard music. It is an exemplar of through-going scholarship relative to an important keyboard composer about whose work little has heretofore been written, and contains nuggets of real gold for the scholar seeking greater understanding of the music of Scheidemann's milieu.’ The American Organist ’Peter Dirksen's fine study ... is a welcome addition to the literature on the Hamburg composer... As one might expect, a labyrinthine study such as this can make for demanding reading, but the author greatly facilitates the reader's task with a lavish supply of tables, examples and figures, and the helpful appendices include a tentative chronological classification of Scheidemann's works, a map of the north German region showing places associated with different manuscripts and musicians, and two fragmentary works from the Zellerfeld Tablature Ze2.

Spis treści

Contents: Introduction. Part One The Sources: Early sources [i]: the Wolfenbüttel autographs; Early sources [ii]: the 'Sweelinck' sources; Middle-period sources [i]: the Zellerfeld tablatures; Middle-period sources [ii]; Late sources: Lüneburg, Pelplin and the 'clavier' anthologies; The dates found in the sources. Part Two Chronology: Toccatas and 'free' imitative pieces; Harpsichord variations and dances; Praeambula and praeludiae; Chorale cycles; Chorale fantasias and Magnificat cycles; Intabulations; Scheidemann's development as a keyboard composer. Part Three Special Studies: More on the Düben tablature and its background; Scheidemann's 'kunstreiche Manuduction auf dem Clavier': fingering in the Scheidemann sources; Ulf Grapenthin: the Catharinen organ during Scheidemann's tenure; Scheidemann in Otterndorf: registration practice; Appendices; Bibliography; Indexes.

O autorze

Pieter Dirksen completed his doctorate in musicology 'cum laude' in 1996 and has published widely on baroque keyboard music. He performs as a soloist on both harpsichord and organ as a continuo player with various chamber ensembles and orchestras.