Hearing in Time: Psychological Aspects of Musical Meter

ISBN-13: 9780199744374 / Angielski / Miękka / 2012 / 252 str.

Justin London

Opis

Our sense that a waltz is "in three" or a blues song is "in four with a shuffle" comes from our sense of musical meter. Hearing in Time explores the metric aspect of our musical experience from a psychological point of view. Musical meter is subject to a number of fundamental perceptual and cognitive constraints. These constraints are the cornerstones of Hearing in Time's account of musical meter. Hearing in Time also takes into account the fact that listening to music, like many other rhythmic activities, is something that we do a lot. It also approaches meter in the context of music as it is actually performed, with nuances of timing and dynamics, rather than as a theoretical idealization.

Hearing in Time's approach to meter is not based on any particular musical style or cultural practice, and it discusses musical examples from a wide range of musical styles and cultures--from Beethoven and Bach to Brubeck and Ghanaian (Ewe) drumming. In taking this broad approach a number of fundamental similarities between a variety of different metric phenomena--such as the difference between so-called simple versus complex or additive meters - become apparent.

Requiring only a modest ability to read a musical score, Hearing in Time is written for musicians, musicologists, and music theorists, as well as psychologists, linguists and cognitive scientists who are interested in rhythm and meter.

Recenzje

London's book clearly provides the single best introduction to, and summary of, a century of psychological and theoretical study into the nature of musical meter and rhythm. For both music scholars and performers, this text offers an unbiased, reliable, and wide-ranging discussion of these important concepts.

O autorze

Justin London is Professor of Music at Carleton College. He is the author of Hearing in Time (OUP 2004) as well as several articles in the recent revision of The New Grove Dictionary of Music and The Cambridge History of Western Music Theory. He served as President of the Society for Music Theory in 2007-2009.