Preface
Introduction – Foregrounding Aural Experiences
Part I – Maskanda in Colonial, Apartheid and Post-Apartheid South Africa
1. Maskanda’s Colonial, Apartheid and Post-Apartheid Presence
2. Foregroundings of Maskanda’s Styles and Substyles
Part II – Maskanda as a Discourse of Power in Post-Apartheid South Africa
3. Ground Level: The Kushikisha Imbokodo Festival in Durban
4. Middle Level: The MTN Onkweni Royal Festival in Ulundi
5. Up Level: Shiyani Ngcobo’s Tour through the Netherlands
Part III – Hearing Maskanda
6. Knowing Zuluness Aurally
7. At Home in the World
8. Sharing Aural Space
Conclusion: Maskanda Epistemology
Appendix: Song Lyrics ReferencesIndex