"This is an important contribution to our understanding of the key concept of the monogatari in the Murakami literary world." -- Matthew C. Strecher, Sophia University
Acknowledgements
1 Introduction
2 Distancing Japanese literary tradition: Monogatari and language
3 "Departure" from the distrust of language: Narration as engagement
4 Narrativising memories: Murakami’s attempt at a realist novel in Norwegian Wood
5 Distance within, will to imagine, and power of metaphor in Kafka on the Shore
6 Writing in the space in-between: Murakami’s exploration of cross-cultural effects
7 Conclusion: Monogatari as an antibody, 1Q84 and stories after "Fukushima"
Index
Chikako Nihei is an assistant professor at Yamaguchi University. She received her PhD in Japanese at the University of Sydney. Her publications include "The Productivity of a Space In-between: Murakami Haruki as a Translator" (2016) and "Resistance and Negotiation: The ‘Herbivorous Men’ and Murakami Haruki’s Gender and Political Ambiguity" (2013).