Machine Recognition of Musical Emotion Yi-Hsuan Yang and Homer H. Chen
Optical Recognition of Music Notation Ana Bebelo
Music Transcription: from Audio to Music Notation Emmanouil Benetos
Machine Learning System for Harmonic Analysis of Music Tijl De Bie
Machine Learning of Jazz Jon Gillick
Artificial Intelligence Data Mining for Music Tao Li
Machine Learning of Body Movement in Instrumental Music Performance Federico Visi
Machine Learning of Orchestral Conductor’s Baton Movements Donald G. Dansereau
Machine Recognition of Music Emotion Yi-Hsuan Yang and Homer H. Chen
Part III: Machine Composing and Performance
Flow Machines Francois Pachet
Machine Improvisation Shlomo Dubnov
Artificial Agents for Collaborative Free Improvisation Adam Linson
Symbolic Computational Creativity David Cope
Tracing the Compositional Process Hanns Holger Rutz
Composing with Intelligent Interactive Musical Agents Marcelo Gimenes
Creating Music Autonomously with Evolutionary Algorithms Francisco J. Vico
Constraint-Solving System for Generating Music Scores Orjan Sandred
Constraint Modeling of Music Theories Torsten Anders
Machine Learning Algorithm for Musical Composition Rebecca Fierbink
An Artificial Intelligence Approach to Concatenative Sound Synthesis Noris Modh Norowi
Sound Synthesis with Deep Neural Networks Jesse Engel
On Computer-Aided Orchestration Marcelo Caetano
Gesture Data in Musical Composition Marlon Schumacher and Marcelo Wanderley
Surveying Systems for Expressive Musical Performance by Computer Alexis Kirke
Computer-Assisted Analysis of Musical Interpretation Gerhard Widmer
Gesture Recognition in Interactive Music Performance Dan Overholt
Designing Constraints for Composition and Performance with Computers Thor Magnusson
Part IV: Emerging Developments in Musical AI
Machine Learning for Brain-Computer Music Interfacing Eduardo R. Miranda and Satvik Venkatesh
Biological Neural Networks Synthesiser Guy Ben-Ary
Sound and Music Biocomputing Eduardo R. Miranda and Edward Braund
Musical Machine Learning with Biomemristors Eduardo R. Miranda and Edward Braund
The Dawn of Quantum Computer Music Eduardo R. Miranda
Prof. Eduardo Reck Miranda is a composer and Professor in Computer Music at the University of Plymouth, UK, where he is Director of the Interdisciplinary Centre for Computer Music Research (ICCMR). His previous publications include the Springer titles Guide to Unconventional Computing for Music, Guide to Brain-Computer Music Interfacing and Guide to Computing for Expressive Music Performance.
This unique reference presents comprehensive coverage of the latest advances in research into enabling machines to listen to and compose new music. It includes chapters introducing what is known about human musical intelligence and on how this knowledge can be simulated with artificial intelligence (AI). The development of interactive musical robots and emerging new approaches to AI-based musical creativity are also introduced, including brain–computer music interfaces, bio-processors and quantum computing.
AI technology permeates the music industry, from management systems for recording studios to recommendation systems for online commercialization of music through the Internet. Yet whereas AI for online music distribution is well advanced, this book focuses on a largely unexplored application: AI for creating the actual musical content.
Topics and features:
* The definitive work on AI and music computing, featuring insights from leading experts in the field
* Highlights how AI is much more than just deep learning, showcasing a range of different approaches and developments
* Introduces new and emerging topics in AI, including biocomputing and quantum computing
Prof. Eduardo Reck Miranda is a composer and professor in Computer Music at the University of Plymouth, UK, where he is director of the Interdisciplinary Centre for Computer Music Research. His previous publications include the Springer titles Guide to Unconventional Computing for Music, Guide to Brain-Computer Music Interfacing and Guide to Computing for Expressive Music Performance.