Preface; Introduction; PART A: PROCESS; 1: “There are no words to describe our national pride”: Weird Walks, awkward crisiscapes and the most international moment of Greek cinema; 2: Why Biopolitics?; 3: “A Cinema about being Governed”; PART B: KEYWORDS: Realism/ family/ allegory/ archive/ assemblage; 4: Biopolitical realism; 5: The biopolitical family. (Miss) Violence, discipline, allegory, dogteeth; 6: Archive Trouble: Homeland, national poetics, family albums; 7: Assemblage, Identity, Citizenship: Strella’s queer chronotopes' 8. Epilogue