Giraffes in the Garden of Italian Literature: Modernist Embodiment in Italo Svevo, Federigo Tozzi and Carlo Emilio Gadda

ISBN-13: 9781907975264 / Angielski / Twarda / 2012 / 186 str.

Deborah Amberson

Opis

Writing in 1926, Carlo Emilio Gadda (1893-1973) acknowledges his peculiarity within the Italian literary field by describing himself as a giraffe or a kangaroo in Italy's beautiful garden of literature. Gadda's self-characterization as exotic and even ungainly animal applies in equal measure to Italo Svevo (1861-1928) and Federigo Tozzi (1883-1920), authors who, like Gadda, thwarted efforts at critical classification. Yet the ostensible strangeness of these three Italian authors is diminished when their writing is considered within the framework of modernism, a label traditionally avoided by the Italian critical establishment. Indeed, within a modernism preoccupied with human embodiment, these Italian literary giraffes find their kin. Here, the central nexus of body, subjectivity and style that informs and binds the writing of Svevo, Tozzi and Gadda resonates with a modernist renegotiation and revalorization of a human body whose dignity and epistemological authority have been contested by social and technological modernity.

Spis treści

Introduction: Three Giraffes in Italy's Literary Garden 1. Corporeal Revolutions: Interrogating Modern and Modernist Embodiment 2. Corporeal Arrhythmia: Svevo's Stylistics of Limping and Potentiality 3. Blind Refusal: Tozzi's Stylistic Phenomenology of Hypersensitivity 4. Bodies, Borders and the Offended Self: Gadda's Stylistic Ethics of Misogyny 5. Conclusion: Italian Giraffes, Italian Bodies

O autorze

Deborah Amberson