German Music Criticism in the Late Eighteenth Century: Aesthetic Issues in Instrumental Music

ISBN-13: 9780521582278 / Angielski / Twarda / 1997 / 268 str.

Mary Sue Morrow

Opis

Music aesthetics in late-eighteenth-century Germany has always been problematic because there was no aesthetic theory to evaluate the enormous amount of high-quality instrumental music produced by composers such as Haydn and Mozart. This book derives a practical aesthetic theory from an analysis of 1,300 reviews of instrumental music published in Germany between 1760 and 1798. The reviews document an intersection with trends in literature and philosophy, and reveal interest in criteria such as genius, the expressive power of music, and the necessity of unity, several decades earlier than has previously been supposed.

Recenzje

'The book's usefulness is enhanced by music examples, a full bibliography and index.' Peter Branscombe, The Times Literary Supplement

Spis treści

Acknowledgements; Author's note; Introduction: terms of discourse; 1. What does instrumental music mean?; 2. Answering with a unified voice; 3. Answering with a German voice; 4. Answering with aesthetic criteria; 5. The importance of being correct; 6. The reign of genius; 7. A call to order; 8. Epilogue: segue to the nineteenth century; Notes; Bibliography; Index.